There is a bridge.
It is a perfectly normal bridge: a few hefty steel beams,
upon which sit a couple of brick walls, which themselves contain a substantial
mound of earth. And all this spans an insignificant stretch of water, barely
twelve feet wide, that you would hesitate to describe as a river.
Neither is the bridge architecturally significant, or
particularly eye-catching. You wouldn’t say it is beautiful. And yet … it is
beautiful – in its own way – for the simple fact that it does precisely what it
was designed to do.
All that earth remains exactly where it was put. Even more
impressively, the earth cradles fragments of memory of the railway that once
passed across it. The sleepers are no longer there, but the path carved through
the trees remains. Here, in this small corner of one of North Staffordshire’s
many fields, sits a bridge over which a branch line once thundered.
Each morning I walk the dog past this bridge, I find myself
drawn to gaze at it. Were it not for the public footpath across the field, I
wouldn’t even know the bridge exists. It sits in the middle of privately owned
land, unburdened by what it once proudly carried.
That bridge is someone’s work, I say to Chloe the
Springer Spaniel. She ignores me and chases rabbits. She – like most people, I
suspect – doesn’t care that the entire length of the branch line was only 4
miles, mainly used to transport coal to the line connecting Stoke and Derby.
She doesn’t care for what is essentially a relic of a bygone age.
Oddly, however, I find myself caring.
I find myself wondering whether the person who designed it
went on to achieve greater things. Was this bridge a mere stepping stone to
some grander project? Or does it stand as a monument to the pinnacle of an
unfulfilled career?
The wheels of industry relied on the skill and engineering
nous that went into the design. I wonder if the designer revelled in the
responsibility and took pride in their job, or whether they did their
calculations while drunk? Most likely the truth is somewhere in the middle: there
is some water and a train needs to cross it. All in a day’s work.
A means exists, probably, to find out at least something
about who drew up the design. But I don’t want to find out, for it is better
fun to wonder and imagine. However important and useful the bridge was when
built, now it is simply a piece of the landscape, under-utilised and shorn of
its true purpose by the relentless march of Progress.
Whatever the truth may be, I look at that bridge and see a
metaphor for my work on this blog. I see a strange physical representation of
this Fruitless Work. These sentences that I craft from our noble language: what
will their legacy be? Are they destined to propel me to greater things, or
might they exist only as a whisper of the heights I could have reached? Will
they remain rooted in this corner of the internet, forever destined to be a
part of the overgrown digital landscape?
Am I drunk as I write this?
Perhaps I am! Perhaps that is why I am foolish enough to believe
I can control the fate of my work. I pour my heart into these sentences, and
maybe I care too much (if such a thing is possible). And yet that engineer
might have poured his heart into his drawing, and out of his control the bridge
now stands as nothing more than an under-appreciated physical permanence.
In that context, would it be so bad – would it be so
fruitless – if this writing achieves nothing other than inspiring a person who
randomly happens across it in 50 years time? The very possibility is strangely
intoxicating…
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